Episode 98: Drawing


Drawing was an essential component of the Charlotte Mason feast of subjects, and this podcast episode describes her purpose for including this skill. If drawing intimidates or paralyzes you because of your own feelings of incompetence to instruct, Emily offers practical tips for opening the world of expression through drawing for your children of all ages.
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“It is only what we have truly seen that we can truly reproduce, hence, observation is enormously trained by art teaching. Personally, I believe every living soul can learn to draw from actual objects, if the eye has not first been vitiated by seeing copies of them.” (Miss Pennethorne, PR 10)

“This is what we wish to do for children in teaching them to draw–to cause the eye to rest, not unconsciously, but consciously n some object of beauty which will leave in their minds an image of delight for all their lives to come.” (Vol. 1, p. 313)

“Art, when rightly directed, is educational, for it trains not only one faculty, but all the faculties together; it trains the hand and the eye, and it trains the head and the heart; it teaches us to see and to see truly; it teaches us to think–that science can do; but it teaches us also to admire and to love; it disciplines the emotions.” (Mr. Collingwood, The Fesole Club Papers)

“…the great benefit of “brushwork” being that it can be made quite a moral training in exactness and decision.” (Mrs. Perrin, “Brush Drawing”, PR 4)

“Children should learn to draw as they learn to write. The great point is that they should be encouraged, not flattered. With no help and encouragement the child gradually loses his desire to draw.” (Mrs. Steinthal, “Art Training in the Nursery”, PR 1)

“There are two great points that must be remembered if we wish to make our system of art teaching…successful. The first is, always keep the children interested. Next, let us understand that drawing is not only learnt with a pencil and a piece of paper….The chief value of drawing is that it trains the eye to see things as they are.” (Mrs. Steinthal, PR 1)

“…we must be careful not to offer any aids in the way of guiding lines, points, and other such crutches; and also that he should work in the easiest medium; that is, with paint-brush or with charcoal, and not with a black-lead pencil. Boxes of cheap colours are to be avoided. Children are worthy of the best.” (Vol. 1, p. 313)

“The first buttercup in a child’s nature note book is shockingly crude, the sort of thing to scandalise a teacher of brush-drawing, but by and by another buttercup will appear with the delicate poise, uplift and radiance of the growing flower.” (Vol. 6, p. 217)

“Drawing is nothing to do with talent, but can be done with observation, intelligence and application–or by seeing, remembering and expressing and is a fundamentally educative subject.” (Juliet Williams, “The Teaching of Drawing and Its Place in Education”, PR 34)

School Education (Volume 3), p. 205

Ourselves (Volume ), Book I, Part II, Chapters II and V

An Essay Towards a Philosophy of Education, Book I, Chapter X (f)

Drawing on the Right Side of the Brain, Betty Edwards

(Affiliate Links)

Dallas Nachtigall’s Bestowing the Brush Drawing Courses

Drawing Lessons, Florence Monkhouse (PR Article)

Brush Drawing, Miss K. Loveday (PR Article)

The Teaching of Drawing and Its Place in Education, Juliet Williams (PR Article)

Brush Drawing, Mrs H. Perrin (PR Article)

Fesole Club Papers, Mr. W. G. Collingwood

What To Draw and How to Draw It

In A Large Room Retreat

Episode 97: Listener Q&A #20


This week’s Charlotte Mason podcast Q&A episode covers questions about transitioning through morning lessons, meeting state requirements for kindergarten, and handling the needs of a gifted child.
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“We spread an abundant and delicate feast in the programmes and each small guest assimilates what he can. The child of genius and imagination gets greatly more than his duller comrade but all sit down to the same feast and each one gets according to his needs and powers.” (6/183)

“Lack of proportion should be our bete noir in drawing up a curriculum, remembering that the mathematician who knows little of the history of his own country or that of any other, is sparsely educated at best.” (6/232)

Episode 96: Natural History Clubs, An Interview with Marcia Mattern


This podcast episode explores how a Charlotte Mason education can be enhanced by joining with others to explore nature. Nicole Williams interviews Marcia Mattern who shares practical ideas for how to make the most of our field work together from her years of experience in leading groups.

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The sky, the sun, rivers, trees, animals and flowers are to children a subject of ever-increasing wonder and speculation, and what we desire, who have the question of the right guiding and training of the young eager mind so much at heart, is, above all things, to make this power of wonder, this spirit of enquiry, a durable and life-long possession, so that whatever else may fail the children in the course of years, the love and healing of Nature may be a priceless treasure to them for ever. … To this end, certain branches of the P.N.E.U. have formed Natural History Clubs so that some sort of systematic and continuous work might be accomplished, and the interest of the children stimulated and encouraged by the means of many working together towards some definite end.”  P.N.E.U. Natural History Clubs by F. Blogg

Marcia Mattern’s Scaffolding example (See Sidebar for 2 more)

Marcia’s post on Natural History Clubs

John Muir Laws’ Website

ADE Interview with John Muir Laws, Part I

ADE Interview with John Muir Laws, Part II

DNR (Department of Natural Resources)

Episode 95: Object Lessons


This podcast episode describes Charlotte Mason’s purpose for “object lessons” in spreading the feast. What is an object lesson, how is it to be conducted, how does a teacher prepare for it and other questions related to drawing our children’s interest  deeper into nature study are the focus of this week’s discussion.

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“Object lesson! talkee, talkee, about a miserable cut-and-dried scrap, hardly to be recognised by one who knows the thing. I should not wonder if it were better for a child to go without information than to get it in this unnatural way. No, let him see the thing big and living before him, behaving according to its wont. Specimens are of infinite use to the scientist whose business it is to generalise, but are misleading to the child who has yet to learn his individuals. I don’t doubt for a minute that an intelligent family out for a holiday might well cover all the ground we have sketched out, and more; but who in the world is to teach them? A child’s third question about the fowls of the air or the flowers of the field would probably floor most of us.” (5/129)

“A boy who is observing a beetle does not consciously apply his several senses to the beetle, but lets the beetle take the initiative, which the boy reverently follows: but the boy who is in the habit of doing sensory daily gymnastics will learn a great deal more about the beetle than he who is not so trained.” (2/189)

“The mind can know nothing save what it can produce in the form of an answer to a question put to the mind by itself.” (6/16)

Parents and Children (Volume 2), Chapter XVII

Handbook of Nature Study, Anna Comstock

A Nature Study Guide, William Furneaux

ADE Teacher Training Video: Nature Study–Special Studies and Object Lessons

Episode 94: Special Studies


Nature study is one big, beautiful part of a Charlotte Mason education. This podcast explores what is meant by “special studies,” and where it fits into the entire scheme of knowledge of the world outside. What is meant by field work, nature lore reading, and the nature journal, and how does a parent who is ignorant of nature inspire an interest in the student?

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“They are expected to do a great deal of out-of-door work … They keep records and drawings in a Nature Note Book and make special studies of their own for the particular season with drawings and notes.” (6/219)

“The consideration of out-of-door life, in developing a method of education, comes second in order; because my object is to show that the chief function of the child––his business in the world during the first six or seven years of his life––is to find out all he can, about whatever comes under his notice, by means of his five senses; that he has an insatiable appetite for knowledge got in this way; and that, therefore, the endeavour of his parents should be to put him in the way of making acquaintance freely with Nature and natural objects; that, in fact, the intellectual education of the young child should lie in the free exercise of perceptive power, because the first stages of mental effort are marked by the extreme activity of this power; and the wisdom of the educator is to follow the lead of Nature in the evolution of the complete human being.” (1/96-97)

“Nature knowledge is the most important for young children — It would be well if we all persons in authority, parents and all who act for parents, could make up our minds that there is no sort of knowledge to be got in these early years so valuable to children as that which they get for themselves of the world they live in. Let them once get in touch with nature, and a habit is formed which will be a source of delight through life. We were all meant to be naturalists, each in his degree, and it is inexcusable to live in a world so full of the marvels of plant and animal life and to care for none of these things.” (1/61)

“The mother cannot devote herself too much to this kind of reading, not only that she may read tit-bits to her children about matters they have come across, but that she may be able to answer their queries and direct their observations. And not only the mother, but any woman, who is likely ever to spend an hour or two in the society of children, should make herself mistress of this sort of information; the children will adore her for knowing what they want to know, and who knows but she may give its bent for life to some young mind designed to do great things for the world.” (1/65

Home Education, Part II, Chapter V

An Essay Towards a Philosophy of Education, Book I, Section III (a)

The Changing Year, Florence Haines

A Nature Study Guide, William Furneaux

Countryside Rambles, William Furneaux

Special Studies Rotation

Sabbath Mood Homeschool Nature Lore List

Sabbath Mood Homeschool Special Studies

ADE Teacher Training Video: Nature Study–Special Studies and Object Lessons

In A Large Room Retreat