
Whether in homeschooling, public or private schooling, the teacher finds that the appeal and wonder of narration that Charlotte Mason employed is not without its challenges. This episode addresses commonly asked questions and confusion surrounding the implementation of narration to offer some practical solutions to difficulties you may encounter in the classroom.
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“Even with regular lessons and short lessons, a further stimulus may be occasionally necessary to secure the attention of the child. His desire of approbation may ask the stimulus, not only of a word of praise, but of something in the shape of a reward to secure his utmost efforts. Now, rewards should be dealt out to the child upon principle: they should be the natural consequences of his good conduct.” (1/142)
“In considering the means of securing attention, it has been necessary to refer to discipline––the dealing out of rewards and punishments,––a subject which every tyro of a nursery maid or nursery governess feels herself very competent to handle. But this, too, has its scientific aspect: there is a law by which all rewards and punishments should be regulated: they should be natural, or, at any rate, the relative consequences of conduct; should imitate, as nearly as may be without injury to the child, the treatment which such and such conduct deserves and receives in after life.” (1/148)
“Let the boy read and he knows, that is, if he must tell again what he has read.” (6/261)
“…while we grown-up persons read and forget because we do not take the pains to know as we read, these young students have the powers of perfect recollection and just application because they have read with attention and concentration and have in every case reproduced what they have read in narration, or, the gist of some portion of it, in writing.” (6/185)
“Not only is narration not verbal memory, but reading and narration do not constitute the whole of the lesson. They are the kernel but not the whole fruit. There is the introduction and connection with the last lesson; there is the intelligent use of map, blackboard and pictures; there is the time after the narration for discussion. If a part of the lesson for any reason has to be omitted, this part may never be the narration, for narration is not, as so many people think, a test of the knowledge gained, but an integral part of the acquisition of knowledge, and the means whereby the ‘food of the mind’ (i.e. knowledge) is digested.” (PR36, pp. 780-782)
“Narration, however, if of many kinds, though always the answer to the question (put mentally): ‘What comes next?’ Obviously it requires some power of concentration from the first. Very young children, in the nursery class, are not expected to narrate, but often they insist on doing so because of this instinct to ‘tell all about it’ to somebody. How many of us can refrain from telling that good story we heard yesterday? And anything that must be remembered, do we not repeat it even if it is only ‘First turning to the left and third to the right’? Narration is extraordinarily satisfying to the narrator, though, alas, a little boring sometimes for the listener since he is getting it at secondhand.
“It must be, we know, the child’s answer to ‘What comes next?’ It can be acted, with good speaking parts and plenty of criticism from actors and onlookers; nothing may be added or left out. Map drawing can be an excellent narration, or, maybe, clay modelling will supply the means to answer that question, or paper and poster paints, or chalks, even a paper model with scissors and paste pot. Always, however, there should be talk as well, the answer expressed in words; that is, the picture painted, the clay model, etc., will be described and fully described, because, with few exceptions, only words are really satisfying.
“When children reach the middle school other types of narration may be used; they can offer headings to cover the lesson and then narrate by filling in the details under each heading or the class may be divided into small groups with a leader in each one and narrate part of or all the lesson…
“As to the interesting extras that the teacher can add, they may either come at the beginning, to arouse interest or curiosity or, generally better, at the end in those few minutes so jealously saved for questions, remarks, etc., which round off the perfect lesson.
“Narration in silence needs great concentration, but once mastered it gives the possessor the power of carrying on his education for the rest of his life.” (Wix, PR 68, pp. 61-63)

Writing to Learn, William Zinsser
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